jeudi 8 août 2013

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thumbnail Servant x Service - Episode 6
Aug 8th 2013, 20:30


thumbnail Chronicles of the Going Home Club - Episode 5
Aug 8th 2013, 19:30


thumbnail Silver Spoon - Episode 5
Aug 8th 2013, 18:45


thumbnail Recorder and Randsell Mi - Episode 5
Aug 8th 2013, 16:00


thumbnail Majestic Prince - Episode 18 - Defensive Battle at Cosmopolitan Academy (Second Part)
Aug 8th 2013, 15:00


After Suruga missed Klein, he has to wait for his cannon to recharge. But how much longer can Izuru, Asagi and Tamaki hold their own? On the Wulgaru base, conflict between the royal family and the Military Commanders are made clearer.

thumbnail Naruto Shippuden Season 12 - Episode 324 - The Unbreakable Mask and the Shattered Bubble
Aug 8th 2013, 11:00


Naruto and Killer Bee face off against the masked man originally thought to be Madara Uchiha, in addition to the reanimated Jinchuriki. Naruto is shocked when he recognizes one of the Jinchuriki.

Top 10 Toho Monsters of All Time
Aug 8th 2013, 00:04

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I am not sure why the Japanese have an affinity for these movies where weird giant space monsters destroy their cities and do battle with the military and each other. There are so many different ones I thought I would give you all my breakdown of the meanest baddest and most awesome TOHO monsters. Some are simple, some are elaborate, and some are amazing. This is guaranteed the biggest Top Ten we have done yet.

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Jet Jaguar from Godzilla vs. Megalon ranging from 2 to 50 meters tall is all sorts of zany robotic wizardry. Only making to one film he has plenty of untapped potential. Seriously look at this guy and go jam to the rocking theme song at the end of the film. He is a triple threat, shooting lasers, missiles and of course cruising like a stud. Truly Jet Jaguar sets the bar for humanoid robots.

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This dinosaur-like monster originally featured in the 1966 television series, Ultraman. Ultraman is a really awesome TV series, I'll have to get around to reviewing it someday but the titular Ultraman met his match with this giant creation. He is the only monster to get a reinvention in all incarnations of Ultraman.

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At number 8 we have a tie! First up, and generally regarded as female by English-speaking audiences, she is a giant lepidopteron… a giant moth. I personally think mothra is lame but even I can't deny the impact the monster has had on the genre. Appearing in 17 separate films including her own set if solo films her has quit the career. She is more often than not fighting Godzilla due to his destructive tendencies. Also to solidify her lameness she inexplicable has the most number of victories in battle Godzilla through the series. She's only has a couple mystical powers and fairies how did she manage that?

Next up, is Varan, one of Toho's least recognized creations but I feel he has been unfairly maligned as a Godzilla rip-off. He doesn't boast a strong filmography but his appearance is unforgettable, resembling a giant reptile with skin membranes between his arms and legs, allowing him to glide much like a flying dragon or flying squirrel.

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Rodan is nearly as iconic as Godzilla, she has also been just about as ambiguous, and she's been a villain in her own movie, a rival, and an ally to Godzilla. Her design has been updates as needed but I really like its simplicity. She is just a giant pterodactyl who can conjure supersonic speed and the original Rodan also had the ability of forcing energy from its powerful jaws.

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Look at this guy, he's pretty much Godzilla's most Iconic adversary, matching him in ferocity is unthinkable and he has a huge array of deadly powers. The creature is capable of tremendous destruction due to its size, and possesses several breath weapons. Three snapping growling heads of death are scary enough, not to even mention the sometimes seen Mecha-King Ghidorah.

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Bonus monster: Mecha Godzilla (Godzilla series). Some call it Bionic, some call it cosmic, and I just call it a classy master of destruction. There are a couple redesigns I think the 80's version is my favorite.

The Gargantuan (War of the Gargantuan) This monster is an incredible example of working with what you have.  In war of the Gargantuan we have two giant, humanoids called Gargantuan. We are told they have formed from the discarded cells of Frankenstein’s monster . Kaiju movies are insane. The Green Gargantuan is violent and savage, he's a giant psychopathic mongrel preying upon human beings I used to have nightmares of him when I was little, and he has more than earned his spot on this list.

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I can't believe she's only been used in one film. Boasting all of Godzilla powers plus acid spit, a much larger stature, tendrils and overall awesomeness Biolante is a completely untapped resource from Toho. Can she get her own movie?

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Gantz is a Toho production too! There are these statues that pop up in the end of the first live action film (and near the middle of the anime) that are beyond badass. There's way too many to name but they are huge, deadly and terrifying.  They earn their spot on this list because I still have to cringe at their keen ability to… let's just say… trim the cast down to almost nobody.

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Giant ape robot with laser eyes being controlled by an evil mad scientist wearing a Dracula cape… that's just so awesome.

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The king of the monsters is a title well earned.  He's been a bad guy a good guy and everything inbetween.  There are so few monsters who have lived after standing up to him and after 60 years he kicks ass. Created by weapons man wasn't supposed to wield, he became a stoic antiwar symbol. Ishiro Honda struck gold with Godzilla, even bad Godzilla movies still have him in it too look forward too. The character has made appearances in so much, movies, TV shows, comic books, and video games. Cheers to 60 more years.

 

The Bird People in China – Review
Aug 8th 2013, 00:02

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“The Bird People In China (1998), directed by Takashi Miike, is some kind of combination of drama, comedy and adventure. You would have never guessed it to be a work of Miike's and honestly I thought it was made much longer ago than '98, with it's lowly saturated color palette and an environment and cast that look like they're from an 80's movie. The execution of the film itself is one that I find reminiscent of his older works, but that doesn't necessarily stop this movie from finding a way to capture your attention and maybe even play on your emotions a bit.

The film starts with a narrative spoken by a Japanese business man on a trip to China to scout a vein of jade located in the rural mountaintops. He's surprised to find an unexpected travel companion in the form of a yakuza who's been sent to make sure his family is repaid a loan made out to our business man's company. This situation leads to a sort of 'odd couple' scenario; the business man's quiet and serious demeanor is matched by the yakuza's obnoxious and comedic personality. Their journey takes them through towns, country roads, rivers and eventually they reach a mountain top village where the jade is said to be located (but this isn't before we get an interesting scene involving the men eating mushrooms as they stop for rest.)

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What they find in the village is a curious culture made up of old superstitions around one man's ability to fly, which instantly captures the attention of the yakuza. As time spent in the village goes on, they become more familiar with each other and the villagers alike and soon the yakuza is seen having more of a fun and carefree time than the business man. The plot begins to touch on themes of a modern, budding civilization and it's positive and negative affects on an old world village and whether superstitions and stories could possibly be something more than just that. It's intriguing; this combined with the film's great visuals, all taking place in a gorgeously vast rural and undeveloped area, starts to grow on you. Like the main characters, you don't want to leave.

http://www.youtube.com/watch?v=st1MwQD8V8Y

I'm reminded of other films where characters find peace in foreign locations such as Miike's "Rainy Dog” or Beat Takeshi's "Sonatine“. While I wont say this movie is the greatest drama or most funny comedy, it has it's charms. But with Audition only a year away, it's hard to find this one underneath the shadow of other great Miike films. This one's good and ultimately leaves you with a nice feeling and sense of closure but it's a little long. I recommend it for serious Miike fans or those seeking a light slice of life.
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