mercredi 6 mars 2013

Your Daily digest for pipe naruto

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Pipes Output
thumbnail The Pet Girl of Sakurasou - Episode 21
Mar 6th 2013, 20:00


thumbnail Saint Seiya Omega - Episode 47
Mar 6th 2013, 20:00


thumbnail GJ CLUB - Episode 9
Mar 6th 2013, 19:00


thumbnail gdgd Fairies 2 - Episode 9
Mar 6th 2013, 18:40


thumbnail Encouragement of Climb - Episode 10
Mar 6th 2013, 18:00


thumbnail Mangirl! - Episode 10
Mar 6th 2013, 18:00


thumbnail Student Council's Discretion Level 2 - Episode 8
Mar 6th 2013, 18:00


thumbnail Magi - Episode 21 - The Dungeon Zagan
Mar 6th 2013, 18:00


Aladdin, Alibaba, Morgiana, and Hakuryu head for the dungeon, Zagan, which is on the island of Tran. As it's his first dungeon-capturing expedition, Hakuryu seems overeager. A voice calling out, "Hate him... kill him..." echoes inside Alibaba's head.

thumbnail Straight Title Robot Anime - Episode 5
Mar 6th 2013, 16:45


thumbnail Fighting For Nippon - Episode 2 - Anime News - Madoka film Daisuki Lucky Star and Fairy tail anime
Mar 6th 2013, 03:00


TOPICS: Fairy Tail anime finishing, Lucky Star news and Haruhi rumours, WasabiCon's, Daisuki streaming and Madoka Magica third film

Battle Girls: Time Paradox – Review
Mar 6th 2013, 00:04

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battlegirls

Battle Girls: Time Paradox isn’t going to make you think and it’s not going to make you cry. Okay, so the premise of this show is basically “famous Sengoku warriors as sexy women.” Sounds a lot like Samurai Girls, doesn’t it? The difference is, Battle Girls actually keeps its fanservice rather restrained. The plot revolves around a modern-day middle school girl Hideyoshi, who is mysteriously hurled into a world resembling the warring states period of Japanese history, only this time it's inhabited only by women.

Do not expect any tactical genius, or any magnificent fight scenes between two warriors. It is not that kind of anime. There are some fight scenes, but they are more shounen style than realistic. There is also magic. There's a lot of familiarity to what goes on here as it does follow the genre fairly well, but it's in the execution of it that it works. The characters of Battle Girls are very simplistic in nature. Nobunaga desires conquest, Shingen and Kenshen just want a good fight, Yoshimoto wants entertainment, Akerin wants to be loved by Nobunaga, and Tokunyan has a clear subversive motive which I will not spoil here.

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It’s hard to stop comparing Battle Girls to Sailor Moon as it really feels like a classic 90s show. The story is told in a straightforward and convincing fashion. The characters are clearly defined and well established. The story is Inuyasha or Fushugi Yugi (they were the same anime, boys watched inuyahsa and girls watch fushugi) and this one is definitely made for boys. Considering the leader of the back in time group has a suit of armor that doesn’t even cover her breasts leaving her far too exposed for a warrior. Its not even in her character to dress that way, she just does!

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There are some funny moments where our protagonist try’s to get service for her cell in feudal japan, and when she agrees to help the feudal girls find a magic suit of armor because in the modern world she was a fan of fashion. If this comedy is continued further on into the series than it might be salvageable, but the fanservice needs to be toned back or we’ll just end up with another High School of the Dead. I’ve seen enough anime to have a general grasp of what happens in anime with large groups of women doing random acts, but even so, I was often surprised by the events of Battle Girls.

http://www.youtube.com/watch?v=yjIFCBG3GKA

I mentioned earlier that Hideyoshi has a rather polarizing character type. Although this kind of cutesy/clumsy girl can be endearing at first, she also runs the risk of getting stuck in a moe rut and becoming entirely extraneous. Overall, I would recommend this anime. There is a bit of filler that I definitely could have done without, but for the most part, it follows a central plot of a journey and has a sweet character development. This isn’t a show for everyone. Those who don’t like simple, slick stories or clumsy moe characters will likely find Battle Girls a tad too bitter for their tastes. In the end, it’s not too shabby and a series worth your time if it fits your mold.
battlegirlsrating

Dead Sushi – Review
Mar 6th 2013, 00:02

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The daughter of a sushi chef, Keiko (Rina Takeda), tries to live up to her father’s demanding training in both martial arts and sushi making, but it proves too much for her and she runs away. She finds a job as a waitress at a remote resort hotel that caters to special groups, such as the president and some of his associates running a major pharmaceutical company. Unknown to them, Yamada (Kentaro Simazu), a former researcher at the company who was framed and jailed on trumped-up charges, is living in the area – and he’s angry! His research had involved bringing dead things back to life, and he uses his knowledge now to create…. killer sushi! Set loose amongst the guests and workers at the hotel, only Keiko and former sushi chef Mr. Sawada (Shigeru Matsuzaki) have what it takes to fight back, with the help of little dead/alive egg sushi, Eggy, of course….

This is one of those highly entertaining, completely nonsensical and over-the-top gory and funny films that the Japanese seem to have a lock on these days; at one point a character says “this has finally reached a point where it makes no sense any longer” and the audience wonders how it managed to take that character so long to come to that conclusion! My favourite line in the film is from disgruntled researcher Yamada who, at one significant moment, states that “I have been reborn as tuna!” An immortal line in anybody’s book, I think. What keeps this film from flying all the way apart is its gonzo spirit and absolute commitment to its absurdity, and there are also some excellent martial arts sequences, particularly from Keiko – Rina Takeda is a rising martial arts star, and she was still a teenager when she made this film. Some people might object to the excessive blood-letting, but it’s done in such an extreme fashion that it’s really just hilarious, not nauseating.

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The next scene features a young Japanese couple that have just landed in the area and have walked 20 minutes and found the hotel inn. The couple get into a brief little argument and start making out a little bit before they are interrupted by what seems to be a homeless man that is nearby and watching them make out while eating sushi. The young man that was making out with his girlfriend at this point decides to pick a fight with the homeless man and this basically results in death by squid(you have to watch to see the hilarity of this play out). It is from this exact point that the movie starts to move into the realm of the bizarre with the various seafood & sushi coming to life and attacking the hapless businessmen and the owners of the inn which all culminates in a ridiculous fight featuring a battleship size sushi and a million little baby sushi that are the result of 2 pieces of sushi mating!

http://www.youtube.com/watch?v=hr-jrq7ZxtQ

It would be hard for Japan Cinema to recommend this film to anyone that is not already a fan of Noboru Igushi’s work. Yet, I cannot deny that their cultish popularity. By and large, what we have is a relatively mundane & normal situation taken to its extreme opposite but it never feels like the filmmakers and actors are going overboard and asking the audience to take things very seriously. If you want to spend a fun night or would like to turn your mind off for a few hours and get a little cultural education about sushi and Japanese culture, this is a great film to do it with.
deadsushirating

Creative Spotlight: Episode #206 – Connie Lim
Mar 5th 2013, 00:04

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Connie Lim is a powerhouse of sorts. She has been writing music since she was eight years old. To top it off Connie was also chosen as a top 60 contestant out of the 70,000 auditionees on NBC’s first season of The Voice, and has graced the Staples Center as a national anthem singer for The Clippers. She now empowers herself by booking tours all over the nation, sharing her solo performance from city to city to city. We sit down and talk about her tour, her upcoming music and the debut of her new song ‘More Than Real’. Read below for the full Q&A…

Hi Connie, congrats on your Kick Starter reaching its goal for your new full-length album!

Connie: Thank you so much! It was definitely an experience that challenged me. Kickstarter is an adventure that nobody can really predict, and it strangely quantifies an artist's fandom, so it's definitely an interesting challenge to take on. Team Limitless has been good to me; I'm so lucky.

http://www.youtube.com/watch?v=3W4LpaJ11Po

In addition, you embark again on another tour. Could you tell us a bit about it and will we see a lot of shows outside of California? What can fans expect?

Connie: Yes, I just came back from the Midwest, and then go to San Francisco next week. I feel most alive when I'm on the move. I actually love living out of my suitcase. It feels free. The Midwest tour was in Minneapolis, Marshfield, and Chicago. The reason why I went out to the Midwest was because of the demand from twitter followers, and the invitation to perform a concert for the music loving community of Wisconsin, The Vox Concert Series. They have had artists like Tony Lucca come through to perform, and they love inviting indie singer/songwriters onto the scene. The people there treat me with open arms! When I played Minneapolis' Dakota Jazz Lounge, 89.3 The Current even played my music to promote the show. People love live music out there, and love actively supporting it. I was even able to drop by a studio in a Minneapolis local legend Kevin Bowe, the incredible producer that discovered Jonny Lang. It was amazing.

As for future tour dates, I will be going back to the Midwest, and hope to visit the east coast again to promote my new album. Due to some backstage adjustments the album will be delayed till late Spring, so I'm really hoping for a killer summer tour. I also signed with new management, and we are planning to focus in on west coast as well, doing consistent shows, pulsing from LA, then outwards. It's been a new years resolution for me to stay consistent, so I committed to a once a month residency ever 3rdSaturday at one of LA's favorite venues, Witzend. In addition, there are some opportunities opening up in Asia, so I may very likely be heading out there in the very near future! More details to come as the road unravels.

Similar to how The Voice conduct auditions, as I was listening to you music….well honestly? When I first discovered your music, I was surprised to find you were Asian-American. Do you get that a lot?

[Laughs hard] Yes I do. I remember M Musicians Magazine reviewed my EP The Hunted, the editor called my music and voice Anglophilic. I totally didn't expect that, but was not surprised either, since my musical heroes all seem to hail from the UK.

As an Asian-American, do you feel it is harder to reach an audience on a global level within the constraints of the music business?

Connie: To be honest, the only thing that creates constraints on my career in this industry is myself. I believe if I become a freer and more creatively open person, I will attract listeners and write better songs. If there is political bs that comes in the future, I know my music and honesty will break it.

http://www.youtube.com/watch?v=iPXwoflKafk

What preparations go into performing or arranging a cover song versus original material?

Connie: Performing is a spiritual activity to me. From the days leading up to the performance, to the day of, to the days after. I feel most alive when I'm performing, because being on stage requires me to be in the most honest place. If I am feeling off, I have to work it out, and get into a place where I am ready to give to the audience.

Cover songs are definitely a fun project. Covers were not a natural thing for me, though. Music was always a very pure form of creating my own music right away. To be honest, it's hard to sit through an entire Youtube video of somebody else's song because by 40 seconds into it I'm itching to create another song from the inspiration that I draw from the track. I only do covers that inspire me at a core level. When I first started I was doing a lot of creative arrangement. I continue to do mashups and fun things like that. They help me grow as a writer. I am now embarking on learning the covers that my donors have requested, and it'll be fun to release those! It's interesting to do this while I'm working so much on crafting and stretching my originals. Writing originals is yet another spiritual experience. I try to be as open and egoless as possible, and allow for the creative joo joo to flow through me. I believe that there is a limitless amount of creative energy surrounding us; it's the artist's challenge to be the portal.

You are an advocate of old-school songwriting but signed to a non-traditional label. DigSin, allows subscribing fans to obtain music for free. How has this merger with DigSin impacted your music thus far?

Connie: Great question! The label has opened my eyes to the potential of social media. The people behind those twitter and facebook accounts are REAL and ready to interact on a sincere level. I have taken time to really open up and create genuine relationships. What is beautiful is that on the days that I am facing challenges, I always get a tweet or Facebook message that will cheer me up. I do this for fans. Period. Digsin has helped me also see the value in the single and the music video. I used to release material, but the releases were not as powerful with the way that we package singles through DigSin. The music videos are CRUCIAL. It's my responsibility as an artist to create the visual feeling, to help the listener feel more of what the song is trying to communicate.

As for songwriting, needing to come up with singles for more impactful videos, I am focusing more on simple and hooky writing. It really pleases me when I can immediately and successfully communicate with the listener on a first listen. It pleases me even more when the song can communicate at a deeper level on the second listen.

Using the internet to successfully fund your newest album, how do you see the evolution of music being created and funded moving forward? Do you believe social media will soon be the gateway for more accessible projects to your fans?

Connie: Yes yes yes. The internet, combined with creativity and humility can create anything.

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On the flipside you also participated in The Voice. Do you feel reality talent competitions are a progressive way to launch a music career in todays industry? Did you find it to be an overall positive experience?

Connie: I think reality TV competitions are good for helping an artist see the importance of story-telling. Ultimately those shows are used to create good TV ratings; the TV shows are not concerned with long-term artist careers. It's always been this way: Artists want long-term, meaningful careers. Many business people, especially those who cater to a high-demand television industry, just want to make that money on the spot.

If artists go into these shows expecting to have the show launch their career, it could be possible. It just depends on what they define as launch. Any national exposure will increase numbers on facebook and twitter. Beyond that, though, success is up to artist, his/her management, and strategy. TV is just a place to put a magnifying glass for a brief second. People are so saturated with singing competitions that at this point, the show would be more as a learning experience than a chance to stardom.

List some of your favorite Asian films for us!

Connie: My Way by Kang Je-Gyu is a beautiful war epic. I was drawn in immediately. Crouching Tiger, Hidden Dragon was so gorgeous. And it was refreshing to watch an Asian woman get gritty and strong.

Now that your project will launch in 2013, could you let us in on a few secrets? Any guest appearances or collaborations you could tell us about on the new album?

Connie: If I did, I'd have to killll you [laughs]! The album is being created by me and another producer based in Toronto, along with some other producers that I have met throughout my journey in Los Angeles. We are doing everything via skype, dropbox, and email. I haven't even met the guy in persona but we are making some incredible tracks. I am so excited!

Lastly, as a person who studied something different in college and came back around to persuing your dream, what advice do you have for other songwriters/musicians who might be having trouble finding their way?

Just. Keep. Going. Be confident, but be humble. Be yourself, but consider others. And say something familiar in an unfamiliar way. Remember to take vacations and laugh at yourself often. For those who are stuck in traffic often: the Jim Gaffigan station on Pandora keeps me sane and happy.

http://www.youtube.com/watch?v=5_NGsa9Lr74

Want to stay up to date on Connie’s music and tour dates? Follow her cookie crumb trail below:

http://connielimmusic.com/
http://www.facebook.com/connielimmusic
https://twitter.com/connielim
http://blog.connielimmusic.com/

Dreadnaught – Review
Mar 5th 2013, 00:02

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dreadnaught

Yuen Woo-Ping was still a new dust in the wind in terms of being a director and this time he teamed up with Yuen Biao and Leung Kar Yan for one of Yuen Biao's first starring vehicles, Dreadnaught. The film is also known as the last time that Kwan Tak-Hing would play legendary character Wong Fei Hung, a role he played for four decades ( and you thought Roger Moore playing James Bond a mere seven times was a long time). Dreadnaught is a wide mixture of genres with martial arts (of course), comedy, drama and even some horror aspects. It's a film that continued to showcase Yuen Biao as a freak of nature and Yuen Woo-Ping continued to show why he would later become one of the best action directors of all time.

Dreadnaught begins with a criminal named White Tiger and his wife being surrounded by locals. They engage in a fight and the wife gets killed leading White Tiger thick on revenge against pretty much anyone he sets his eyes on. He finds a theatre group to hide amongst and he attempts to kill a man named Mousy (Yuen Biao) but is unsuccessful. Mousy is a cowardly man who hates being a part of any action whatsoever, just wanting to get by life without being scolded. The other major plot involves Wong Fei Hung and his school being rivaled against another and Fei Hung's attempts to make peace with them. Leung Foon (Bryan Leung) is involved and later tries to get Mousy to become Fei Hung's student.

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The action scenes are scattered throughout (there's even a long sequence of lion dancing!) but most of the action is nothing memorable If even worthwhile. The only action that is worth seeing is the short but sweet laundry sequence by Yuen Biao doing laundry "the family way" after being scolded by his sister to do it as such and the final fight between Mousy and White Tiger is also a pretty cool fight scene. For a 90 minute film, it felt like it was a lot longer because the story was all over the place. It felt like screenwriter Wong Jing and director Yuen Woo Ping didn't really know what to make of the plot. Obviously, most people go into a martial arts film to see the action but with a plot that isn't handled very well, it's hard to stay focused on the task at hand.

http://www.youtube.com/watch?v=t_k1Lf4_olw

While Dreadnaught isn't a bad film when it's all said and done, it's not one of Yuen Woo Ping's or Yuen Biao's best. Yuen Biao does a good job acting like a wimp for most of the film and his character does grow a little bit from being a coward to a somewhat confident coward but other than that, there really isn't anything here that will make you want to watch this film over and over again. If you are fans of Yuen Woo Ping and/or Yuen Biao, I can recommend this but other than that, this is a film that you can drag out not watching on.
dreadnaughtrating

Rurouni Kenshin: New Kyoto Arc – Review
Mar 4th 2013, 00:04

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First lets clarify the title this is Rurouni Kenshin: Shin Kyoto-Hen Zenpen it is a remake of the Kyoto arch and Kenshin’s battle with Shishio. Like the OVAs, the pacing in this series is quite packed. Every second is used in putting every important detail in the story. I haven't read the manga, and I vaguely remembered the series and that one stretches far more than this one. I can't personally say that the parts that were remove here compared in the series are all part of the manga. But nevertheless, that story is easy to follow and each scene connected seamlessly. I have to say Rurouni Kenshin: Shin Kyoto-Hen Zenpen really was a pleasant surprise after hearing it was a remake you figure it was probably just going to be a recap cutting out some of the the filler from the tv series that wasnt in the manga but that isnt the case.

There is absolutly no resued footage from the tv series it is all new animation which I have to say far surpasses that of it’s predacessor tho seeing how it’s been what over 10 years since the original tv series you would figure as much but the new breath taking animation alone isnt what gives this a worth watch/buy there is more to it than a pretty exterior. Rather than just following the same events/fights and battles leading up to the Shisho confrontation it offers new perspectives from Misao and other companions of Kenshin it’s like looking from the outside in giving new narrative but dont worry Kenshin is very much still main attraction and the plot result is still the same just with added story and a new take on the fights. For those who have only seen this franchise, it may confuse you on this. But thinking of watching this would not come to you mind knowing, since I would believe everyone would had at least know Batoussai or Kenshin Himura by now, at least by name. That you might want to watch or know the beginning of the series to understand. Yet, the franchise is well-known that knowing the basics might led you to enjoy it alone.

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The third main character in this so-called Kyoto Arc is the young teenage girl Misao. Misao chases after Himura in a forest, demanding to see Aoshi, her mentor in the martial arts and a man for whom she has perhaps more than merely a “professional” interest in. Another thing that I liked is that even though the show is meant to be done in Misao's perspective, they don't make it super obvious by focusing only on her. The focus is there, but it isn't excessive. It was nice to watch as someone who loved the original show and wanted maybe a bit more, but I'd say it isn't the most impressive thing in the world. But what about the fights? The Kyoto arc was an amazing ride full of exciting battles and strong characters classing all over the place. Do the swordfights make it worth it?

http://www.youtube.com/watch?v=oFcty_WMePE

Sadly, no. However, everything from aesthetics and sound were refitted to this era. Although that isn't a big thing entirely. I also like that some of the soundtracks in the series were used here. Overall, there isn't anything much to say about this. It's a short film that retells Shishio's plot on taking over Japan, and its Kenshin and the gang's job to stop it. What is unique about it, at least for me, is the difference between the TV series and this one. I never knew Kenshin's master would appear this early in the arc. But is this a faithful adaptation of the manga is left for the avid manga fan to confirm.
ruruonirating

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